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An interview with author of new book about Don Warren and The Cavaliers

This article originally appeared in the February 2008 edition of Drum Corps World (Volume 36, Number 17).

The roll-out of the new book, “Building the Green Machine: Don Warren and Sixty Years with the World Champion Cavaliers Drum & Bugle Corps”, took place in early December. Author Colt Foutz has been working on the project for the past several years after a chance meeting with Don Warren and his wife Jan as a result of an article on The Cavaliers’ Naperville show in the local newspaper.

The 450-page, hardcover book, with a beautiful full-color dustcover and several dozen short messages from a wide spectrum of drum corps personalities, covers the Cavaliers organization from humble beginnings in 1948 to the upcoming 60th anniversary of the corps and Warren’s presidency through the six decades.

Don has been telling me for quite a few years that he intended to put his experiences into a book and the result is a fascinating overview of a performing group that has stood the test of time, like only a handful of other drum and bugle corps, to survive into the 21st Century and still be among the elite.

Colt and I have corresponded over the last year and I wanted to include some questions about the process of how the book came to the launch date.

Steve Vickers: Tell me a little about how you and Don connected?

Colt Foutz: In 2004, I worked as a reporter and columnist for the Naperville Sun. I covered city government, actually. But with my musical background -- I majored in composition and minored in conducting at Carnegie Mellon University -- I brought a lot to stories about bands, choirs, orchestra, anything musical.

The Sun’s features editor, Nichole Roller, handpicked me to write about The Cavaliers and their inaugural home show in Naperville that July. I had never heard of drum corps before, beyond a few high school classmates in Ohio attending Bluecoats clinics. But I was president of my high school marching band and played trumpet and baritone.

Nikki’s main editorial instructions for me were: “Show how hard these kids work.” And in the article, I did that. I drew on my marching background and my fraternal background as an Eagle Scout and with other groups to show the hard work, hustle, mind-blowing

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British Federation continues expansion of programs
This article was originally published in the February 2008 edition of Drum Corps World (Volume 36, Number 17).

Drum Corps World has previously published details of the Federation’s activities working with and for the 14 national youth organisations in the U.K. that involve their young members in all styles of the marching band activity. (Editor’s note: in this article, “band” refers to all youth marching groups, including drum and bugle corps).

After a national conference and subsequent consultation with its 14 member organisations, in 2006, the Federation published a two-year “whole activity” development strategy titled “MarchOn”. This established both the principles of our intended development and specifically how bands and corps might respond. Clearly, unless leaders at the local level actioned the strategy, then it would not be a success. In summary, the development strategy identified the following:

Vision: That regionally and nationally the youth marching band activity becomes an effective, accepted and valued performing art for young people.

Mission: That Federation member organisations work together to transform the youth marching band activity in the next decade.

Values: That we work with responsibility within the context of a youth activity, promoting inclusivity, achievement, understanding and enjoyment.

Partners: Federation member organisations, voluntary and statutory arts and educational authorities, community organisations; professional musicians,; funding organisations.

The document identified practical issues for bands to address within three broad areas:

Community: To encourage the sustainable development of bands in their communities so that they become valued contributors to social development and social cohesion through the involvement of young people in live music and physical movement, supported by their parents/carers and the wider community.

Education: To improve the performance quality of youth marching bands and of its leadership, and to develop an acknowledgement of our unique activity within the educational sector.

Recognition: To develop a wider acknowledgement of the educational and community benefits of the youth marching band activity. To develop different performance opportunities and  

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Corps interns do just about anything to earn experience
This article originally appeared in the February 2008 edition of Drum Corps World (Volume 36, Number 17).

Many college-age students typically use this time of year to search for summer internships. Those with future plans in music, the arts or related career fields will find internship opportunities abounding for the right student in drum corps, with openings from among the touring corps, Drum Corps International and its corporate sponsors.

Through these positions, the intern gains valuable life and career experiences while building their résumés and developing professional contacts. The organization gains some high-energy, low-cost manpower to assist in managing the sometimes daunting tasks that often accompany the summer schedule.

But just like how drum corps isn’t for every musician, some of these summer internships require a special student, too. They may not have to practice in the hot sun for countless hours all summer, but drum corps interns can be the first ones up and the last ones to bed as they are literally asked to do just about anything.

They do so in a stealth fashion, often blending in with management, the corps members, the creative team, the drivers, the maintenance crew, the marketplace staff and the stadium operations team, among others.

Students who performed three very different internships last summer -- one with the Blue Stars, one with DCI and one with Yamaha -- told stories about their experiences at last summer’s DCI World Championships in Pasadena, CA. These stories may give this year’s applicants an idea of what they can expect this summer.

Blue Stars’ intern Alan Endler

Upon first glance, Endler looked like the regular salesmen, working the Blue Stars’ souvenir stand in the DCI Marketplace. But that was just one of the many hats he wore last summer.

He also drove the corps van to show locations, to the hospital when anyone from the corps experienced a medical emergency, and out  

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Part 2: Reinventing the activity -- drum corps showcases instrument innovations
This article originally appeared in the January 2008 edition of Drum Corps World (Volume 36, Number 16).

Young athletes and their coaches know where to find the latest advancements in equipment for their sports -- and it’s not usually in their local sporting goods stores. It’s in what the world class athletes use.

Looking for the next great basketball shoe that is lighter and more durable, but will make you jump higher? Check out what NBA stars LeBron James or Kobe Bryant are wearing this season.

Want the fastest swimsuit on the market today? Try Speedo’s new Fastskin FS-Pro swimsuit, which U.S. gold medalist Michael Phelps recently used to set new world records.

And when band directors and their musicians are looking for the latest innovations in marching instrument design, they also check out the stars of their competitive activity -- world class drum and bugle corps.

Those corps often get the opportunity each summer to debut some of the newest designs and product lines that major instrument manufacturers, like Yamaha, have to offer.

Nike puts its next great basketball shoe on LeBron James to get it noticed and show what it can do -- both live and now online through all the latest forms of digital communication. And Yamaha puts a certain  

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ScorpsBoard
 10/07/2007
 Coventry, Warwickshire, U.K. (BYBA)

Associate division
Northern Star, Pudsey, West Yorkshire 93.400
Poynton Commodores, Stockport, Cheshire 81.300

Division 1
37th Kingswood Scouts, Kingswood, Avon 87.800
6th Hove Scouts, Hove, Sussex 83.200
Distant Thunder, Sharnbroke, Bedfordshire 80.800

Division 2
Trinity School Show Band, Nottingham, Nottinghamshire 85.500
Phantom Knights, Nuneaton, Warwickshire 83.600
Cheshire Scouts, Warrington, Cheshire 83.500
East Coast Elite, Cleethorpes, Lincolnshire 77.800
11th Northampton Boys Brigade, Northampton, Northamptonshire 76.400
Staffordshire Knights, Stafford, Staffordshire 76.400

Division 3
Stafford Lancers, Stafford, Staffordshire 81.000
1st Ibstock Scouts, Ibstock, Leicestershire 79.700
4th Uckfield Show Band, Uckfield, East Sussex 74.700
Upton Youth Band, Upton-upon-Severn, Worchestershire 74.600
Revolution Show Corps, Bradford, West Yorkshire 73.300
Doncaster Danum Scouts, Doncaster, South Yorkshire 71.200
Lanesfield Boys/Girls Brigade, Bilston, West Midlands 70.400
Atherstone Youth Marching Band, Atherstone, Warwickshire 69.400
Halifax Boys/Girls Brigade, Halifax, West Yorkshire 69.400
Midsomer Norton Marching Band, Midsomer Norton, Somerset 62.600

Juniors
Marxmen, Braintree, Essex 72.600
Equinox, Biggleswade, Bedfordshire 70.000
Coseley Comets, Bilston, West Midlands 65.600
6th Hove Scouts B, Hove, Sussex 61.300
Glevum Knights, Gloucester, Gloucestershire 61.100

Cadets
37th Kingswood Cadets, Kingswood, Avon 86.000
Black Knight Cadets, Gravesend, Kent 83.000
Atherstone Cadets, Atherstone, Warwickshire 63.000
Upton Youth Band Cadets, Upton-upon-Severn, Worchestershire 60.000
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